Verborgener Grund The project Verborgener Grund brings together vocalist Natalie Peters and pianist Luca Manzo in an intimate musical exploration of the deepest and most elusive dimensions of human existence. Fascinated by the evocative atmosphere of late-nineteenth-century Viennese Lied, the two artists retrace the Romantic quest for mystery and transcendence, guided by that untranslatable longing…
The documentation of my Solo performance at the Effimera Festival 2026 inspired the production house Casa Nabou to create this video clip. Rather than simply documenting the original performance, they transformed it into an additional surreal visual layer – an independent visual world in which reality and imagination intertwine. The video creates a new space…
I am very happy to announce my solo concert as part of the L’Effimera Festival. Saturday, June 20, 2026, 6:00 PMTeatro, Fattoria Sociale Agarta, Cavigliano, Ticino L’Effimera takes place from June 14–21, 2026, bringing together art, music, theatre, nature, and communal life over eight days. Young artists from the region actively contribute to the programme,…
ECHOES by Shameless Records, Charity release for the Children of Gaza I am very happy to be part of another charity release for the Children of Gaza.Over 30 musicians have participated in this solidarity project. My contribution is Track 9, “Sleepless”. Thanks to Angélica Castelló und Boris Hauf for the Initiative. Check it out under:…
Die Venusbeule (the Venus bump) About This Album Die Venusbeule is a collaboration between the duo Sara Käser and Natalie Peters with violist Marie Takahashi. The recording was made during a live concert at Morphinraum Berlin, October 2024. Their music is playful, eccentric, and absurd – it speaks from hearts that know chaos, loneliness, and…
Laure Federiconi and Natalie Peters meet in March 2025 during a two-day residency made possible by the Röstibrècke project and the co-curation of Vasco Viviani and Daniel Moszkowicz. Very quickly, a musical evidence emerges: an intense, joyful and instinctive listening, where voice, sound and poetry act as much through friction as through choral convergence. From…
Concerts that Make a DifferenceThe final “We See You – Sound the Alarm” concert of 2025 took place in Geneva on December 20, 2025. The We See You – Sound the Alarm concerts were a deep and moving experience. I am very grateful to have shared this project with so many inspiring people, and to all the…
In March 2025, Laure Federiconi and I had the wonderful opportunity to meet during a two-day residency and to make music together. This was made possible by the project Röstibrücke and the co-curatorship of Vasco Viviani and Daniel Maszkowicz. From the very beginning, there was a strong artistic connection between us. Both the preparation and the time we spent together…
As I said: We See You has become one of the most important projects I’ve ever done. It moves me and musicians all over Switzerland it makes us play, think, and become visible. Please check out this article: Why the Independent Scene Has a Voice in Times of War The independent experimental scene is not part of…
23/10/2025 – by Vasco Viviani (Source) Patchouli. A laugh, and off we go — with the strings of the cello and the vocal cords climbing, rubbing against each other, releasing strange, twitching sounds. Sara Käser and Natalie Peters embark on a daring escapade through the fifteen tracks that make up Monde Kreisen. I know Natalie well — I produced a live…
